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27 Short Stories Page 14
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"I can't breathe," said Zawada. "Open the door," said Kormo
Naog spoke aloud to the god. "We have no air in here," he said. "I have to open the door. Make it safe. Let no other wave wash over us with the door open.
But when he went to open the door, he couldn't find it in the darkness. For a sickening moment he thought: What if we turned completely upside down, and the door is now under us? I never thought of that. We'll die in here
Then he found it, and began fussing with the lashings. But it was hard in the darkness. They had tied so hurriedly, and he wasn't thinking all that well. But soon he heard the servants also at work, muttering softly, and one by one they got their lashings loose and Naog shoved upward on the door
It took forever before the door budged, or so it seemed, but when at last it rocked upward, a bit of faint light and a rush of air came into the boat and everyone cried out at once in relief and gratitude. Naog pushed the door upward and then maneuvered it to lie across the opening at an angle, so that the heavy rain outside wouldn't inundate them. He stood there holding the door in place, even though the wind wanted to pick it up and blow it away--a slab of wood as heavy as that one was!--while in twos and threes they came to the opening and breathed, or lifted children to catch a breath of air. There was enough light to bind up some bleeding injuries, and to realize that no bones were broken after all
The rain went on forever, or so it seemed, the rain and the wind
And then it stopped, and they were able to come out onto the roof of the seedboat and look at the sunlight and stare at the distant horizon. There was no land at all, just water. "The whole earth is gone," said Kormo. "Just as you said
"The Heaving Sea has taken over this place," said Naog. "But we'll come to try land. The current will take us there.
There was much debris floating on the water--torn-up trees and bushes, for the flood had scraped the whole face of the land. A few rotting bodies of animals. If anyone saw a human body floating by, they said nothing about it
After days, a week, perhaps longer of floating without sight of land, they finally began skirting a shoreline. Once they saw the smoke of someone's fire--people who lived high above the great valley of the Salty Sea had been untouched by the flood. But there was no way to steer the boat toward shore. Like a true seedboat, it drifted unless something drew it another way. Naog cursed himself for his foolishness in not including dragonboats in the cargo of the boat. He and the other men and women might have tied lines to the seedboat and to themselves and paddled the boat to shore. As it was, they would last only as long as their water lasted
It was long enough. The boat fetched up against a grassy shore. Naog sent several of the servants ashore and they used a rope to tie the boat to a tree. But it was useless--the current was still too strong, and the boat tore free. They almost lost the servants, stranding them on the shore, forever separated from their families, but they had the presence of mind to swim for the end of the rope
The next day they did better--more lines, all the men on shore, drawing the boat further into a cove that protected it from the current. They lost no time in unloading the precious cargo of seeds, and searching for a source of fresh water. Then they began the unaccustomed task of hauling all the baskets of grain by hand. There were no canals to ease the labor
"Perhaps we can find a place to dig canals again," said Kormo
"No!" said Zawada vehemently. "We will never build such a place again. Do you want the god to send another flood?
"There will be no other flood," said Naog. "The Heaving Sea has had its victory. But we will also build no canals. We will keep no crocodile, or any other animal as our god. We will never sacrifice forbidden fruit to any god, because the true god hates those who do that. And we will tell our story to anyone who will listen to it, so that others will learn how to avoid the wrath of the true god, the god of power.
Kemal watched as Naog and his people came to shore not far from Gibeil and set up farming in the El Qa' Valley in the shadows of the mountains of Sinai. The fact of the flood was well known, and many travelers came to see this vast new sea where once there had been dry land. More and more of them also came to the new village that Naog and his people built, and word of his story also spead
Kemal's work was done. He had found Atlantis. He had found Noah, and Gilgamesh. Many of the stories that had collected around those names came from other cultures and other times, but the core was true, and Kemal had found them and brought them back to the knowledge of humankind
But what did it mean? Naog gave warning, but no one listened. His story remained in people's minds, but what difference did it make
As far as Kemal was concerned, all old-world civilizations after Atlantis were dependent on that first civilization. The IDEA of the city was already with the Egyptians and the Sumerians and the people of the Indus and even the Chinese, because the story of the Derku people, under one name or another, had spread far and wide--the Golden Age. People remembered well that once there was a great land that was blessed by the gods until the sea rose up and swallowed their land. People who lived in different landscapes tried to make sense of the story. To the island-hopping Greeks Atlantis became an island that sank into the sea. To the plains-dwelling Sumerians the flood was caused by rain, not by the sea leaping out of its bed to swallow the earth. Someone wondered how, if all the land was covered, the animals survived, and thus the account of animals two by two was added to the story of Naog. At some point, when people still remembered that the name meant "naked," a story was added about his sons covering his nakedness as he lay in a drunken stupor
All of this was decoration, however. People remembered both the Derku people and the one man who led his family through the flood
But they would have remembered Atlantis with or without Naog, Kemal knew that. What difference did his saga make, to anyone but himself and his household? As others studied the culture of the Derku, Kemal remained focused on Naog himself. If anything, Naog's life was proof that one person makes no difference at all in history. He saw the flood coming, he warned his people about it when there was plenty of time, he showed them how to save themselves, and yet nothing changed outside his own immediate family group. That was the way history worked. Great forces sweep people along, and now and then somebody floats to the surface and becomes famous but it means nothing, it amounts to nothing
Yet Kemal could not believe it. Naog may not have accomplished what he THOUGHT his goal was--to save his people--but he did accomplish something. He never lived to see the result of it, but because of his survival the Atlantis stories were tinged with something else
It was not just a golden age, not just a time of greatness and wealth and leisure and city life, a land of giants and gods. Naog's version of the story also penetrated the public consciousness and remained. The people were destroyed because the greatest of gods was offended by their sins. The list of sins shifted and changed over time, but certain ideas remained: That it was wrong to live in a city, where people get lifted up in the pride of their hearts and think that they are too powerful for the gods to destroy. That the one who seems to be crazy may in fact be the only one who sees the truth. That the greatest of gods is the one you can't see, the one who has power over the earth and the sea and the sky, all at once
And, above all, this: That it was wrong to sacrifice human beings to the gods
It took thousands of years, and there were places where Naog's passionate doctrine did not penetrate until modern times, but the root of it was there in the day he came home and found that his father had been fed to the Dragon. Those who thought that it was right to offer human beings to the Dragon were all dead, and the one who had long proclaimed that it was wrong was still alive. The god had preserved him and killed all of them. Wherever the idea of Atlantis spread, some version of this story came with it, and in the end all the great civilizations that were descended from Atlantis learned not to offer the forbidden fruit to the gods
In the
Americas, though, no society grew up that owed a debt to Atlantis, for the same rising of the world ocean that closed the land bridge between Yemen and Djibouti also broke the land bridge between America and the old world. The story of Naog did not touch there, and it seemed to Kemal absolutely clear what the cost of that was. Because they had no memory of Atlantis, it took the people of the Americas thousands of years longer to develop civilization--the city. Egypt was already ancient when the Olmecs first built amid the swampy land of the bay of Campeche. And because they had no story of Naog, warning that the most powerful of gods rejected killing human beings, the old ethos of human sacrifice remained in full force, virtually unquestioned. The carnage of the Mexica--the Aztecs--took it to the extreme, but it was there already, throughout the Caribbean basin, a tradition of human blood being shed to feed the hunger of the gods
Kemal could hardly say that the bloody warfare of the old world was much of an improvement over this. But it was different, and in his mind, at least, it was different specifically because of Naog. If he had not ridden out the flood to tell his story of the true God who forbade sacrifice, the old world would not have been the same. New civilizations might have risen more quickly, with no stories warning of the danger of city life. And those new civilizations might all have worshiped the same Dragon, or some other, as hungry for human flesh as the gods of the new world were hungry for human blood
On the day that Kemal became sure that his Noah had actually changed the world, he was satisfied. He said little and wrote nothing about his conclusion. This surprised even him, for in all the months and years that he had searched hungrily for Atlantis, and then for Noah, and then for the meaning of Noah's saga, Kemal had assumed that, like Schliemann, he would publish everything, he would tell the world the great truth that he had found. But to his surprise he discovered that he must not have searched so far for the sake of science, or for fame, or for any other motive than simply to know, for himself, that one person's life amounted to something. Naog changed the world, but then so did Zawada, and so did Kormo, and so did the servant who skinned his elbows running down the hill, and so did Naog's father and mother, and ... and in the end, so did they all. The great forces of history were real, after a fashion. But when you examined them closely, those great forces always came down to the dreams and hungers and judgments of individuals. The choices they made were real. They mattered
Apparently that was all that Kemal had needed to know. The next day he could think of no reason to go to work. He resigned from his position at the head of the Atlantis project. Let others do the detail work. Kemal was well over thirty now, and he had found the answer to his great question, and it was time to get down to the business of living
BUT WE TRY NOT TO ACT LIKE IT
There was no line. Hiram Cloward commented on it to the pointy-faced man behind the counter. "There's no line."
"This is the complaint department. We pride ourselves on having few complaints." The pointy-faced man had a prim little smile that irritated Hiram. "What's the matter with your television?"
"It shows nothing but soaps, that's what's the matter. And asinine gothics."
"Well-- that's programming, sir, not mechanical at all."
"It's mechanical. I can't turn the damn set off."
"What's your name and social security number?"
"Hiram Cloward. 528-80-693883-7."
"Address?"
"ARF-487-U7b."
"That's singles, sir. Of course you can't turn off your set."
"You mean because I'm not married I can't turn off my television?"
"According to congressionally authorized scientific studies carried out over a
three-year period from 1989 to 1991, it is imperative that persons living alone have the constant companionship of their television sets."
"I like solitude. I also like silence."
"But the Congress passed a law, sir, and we can't disobey the law--"
"Can't I talk to somebody intelligent?"
The pointy-faced man flared a moment, his eyes burning. But he instantly regained his composure, and said in measured tones, "As a matter of fact, as soon as any complainant becomes offensive or hostile, we immediately refer them to section A-6." "What's that, the hit squad?" "It's behind that door." And Hiram followed the pointing finger to the glass door at the far end of the
waiting room. Inside was an office, which was filled with comfortable, homey knickknacks, several chairs, a desk, and a man so offensively nordic that even Hitler would have resented him. "Hello," the Aryan said, warmly.
"Hi." "Please, sit down." Hiram sat, the courtesy and warmth making him feel even more resentful-- did
they think they could fool him into believing he was not being grossly imposed upon? "So you don't like something about your programming?" said the Aryan.
"Your programming, you mean. It sure as hell isn't mine. I don't know why Bell Television thinks it has the right to impose its idea of fun and entertainment on me twenty-four hours a day, but I'm fed up with it. It was bad enough when there was some variety, but for the last two months I've been getting nothing but soaps and gothics."
"It took you two months to notice?" "I try to ignore the set. I like to read. You can bet that if I had more than my stinking little pension from our loving government, I could pay to have a room
where there wasn't a TV so I could have some peace." "I really can't help your financial situation. And the law's the law." "Is that all I'm going to hear from you? The law? I could have heard that from
the pointy-faced jerk out there." "Mr. Cloward, looking at your records, I can certainly see that soaps and gothics
are not appropriate for you." "They aren't appropriate," Hiram said, "for anyone with an IQ over eight." The Aryan nodded. "You feel that people who enjoy soaps and gothics aren't
the intellectual equals of people who don't." "Damn right. I have a Ph.D. in literature, for heaven's sake!" The Aryan was all sympathy. "Of course you don't like soaps! I'm sure it's a mistake. We try not to make mistakes, but we're only human-- except the computers, of course." It was a joke, but Hiram didn't laugh. The Aryan kept up the small talk as he looked at the computer terminal that he could see and Hiram could not. "We may be the only television company in town, you know, but--"
"But you try not to act like it."
"Yes. Ha. Well, you must have heard our advertising."
"Constantly."
"Well, let's see now. Hiram Cloward, Ph.D. Nebraska 1981. English literature, twentieth century, with a minor in Russian literature. Dissertation on Dostoevski's influence on English-language novelists. A near-perfect class attendance record, and a reputation for arrogance and competence."
"How much do you know about me?"
"Only the standard consumer research data. But we do have a bit of a problem."
Hiram waited, but the Aryan merely punched a button, leaned back, and looked
at Hiram. His eyes were kindly and warm and intense. It made Hiram uncomfortable.
"Mr. Cloward."
"Yes?"
"You are unemployed."
"Not willingly."
"Few people are willingly unemployed, Mr. Cloward. But you have no job. You also have no family. You also have no friends."
"That's consumer research? What, only people with friends buy Rice Krispies?"
"As a matter of fact, Rice Krispies are favored by solitary people. We have to know who is more likely to be receptive to advertising and we direct our programming accordingly."
Hiram remembered that he ate Rice Krispies for breakfast almost every morning. He vowed on the spot to switch to something else. Quaker Oats, for instance. Surely they were more gregarious. "You understand the importance of the Selective Programming Broadcast Act of 1985, yes?"
"Yes."
"It was deemed unfair by the Supreme Court for all programming to be geared to the majority. Minorities were being slighted. And so Bell Television was given the assignment of preparing an individ
ually selected broadcast system so that each individual, in his own home, would have the programming perfect for him."
"I know all this."
"I must go over it again anyway, Mr. Cloward, because I'm going to have to help you understand why there can be no change in your programming."
Hiram stiffened in his chair, his hands flexing. "I knew you bastards wouldn't change."
"Mr. Cloward, we bastards would be delighted to change. But we are very closely regulated by the goverrunent to provide the most healthful programming for every American citizen. Now, I will continue my review."
"I'll just go home, if you don't mind."
"Mr. Cloward, we are directed to prepare programming for minorities as small as ten thousand people-- but no smaller. Even for minorities of ten thousand the programming is ridiculously expensive-- a program seen by so few costs far more per watching-minute to produce than one seen by thirty or forty million. However, you belong to a minority even smaller than ten thousand."
"That makes me feel so special."
"Furthermore, the Consumer Protection Broadcast Act of 1989 and the regulations of the Consumer Broadcast Agency since then have given us very strict guidelines. Mr. Cloward, we cannot show you any program with overt acts of violence."
"Why not?"
"Because you have tendencies toward hostility that are only exacerbated by viewing violence. Similarly, we cannot show you any programs with sex."
Cloward's face turned red. "You have no sex life whatsoever, Mr. Cloward. Do you realize how dangerous that is? You don't even masturbate. The tension and hostility inside you must be tremendous."
Cloward leaped to his feet. There were limits to what a man had to put up with. He headed for the door.
"Mr. Cloward, I'm sorry." The Aryan followed him to the door. "I don't make these things up. Wouldn't you rather know why these decisions are reached?
Hiram stopped at the door, his hand on the knob. The Aryan was right. Better to know why than to hate them for it.