THE CRYSTAL CITY Page 10

  It's a good thing to be able to scare away gators, thought Alvin. I could go into it fulltime and make a profession of it. They could call me Gator Al, and they'd always ask me how come I never wore gator-skin boots or a gator-skin belt, and I'd say, How can I get me a gator skin, iffen the gators won't come close to me?

  Sounded to him like a better job than his current employment, which right now looked like having the responsibility for saving the lives of hundreds of people without a clue of how to actually do it.

  He'd poked himself a couple of times with his knife to draw blood, which was a kind of embarrassing thing to do in the first place. It made him feel like he was just a couple of steps away from a Mexica sacrifice. He let the blood drip into the murky water and then felt it dissipate and vanish.

  He had done this once, on the Yazoo Queen, but not with river water. It was with drinking water, already pure. The blood had nowhere to go, it mixed with the water immediately and Alvin had been able to shape it as he wanted. But how to make something out of an almost infinite body of water, filled with impurities?

  More blood? Open a vein? An artery?

  How about opening a gator's artery, how about that?

  No, he knew that wouldn't do at all. The maker is the one who is part of what he makes. If there was one thing he knew, it was that.

  But he'd spent his childhood getting nearly killed by water over and over again, till his Pa was plumb scared to let Alvin have a cool drink from a stream for fear he'd drown or choke.

  Stop thinking, he told himself. This ain't science, like feeling head bumps or bleeding a patient. This is serious, and you gotta keep your mind open in case an idea comes along-you want there to be some room for it to fit in.

  So he occupied himself with clearing the water around him. It wasn't hard-he was good with fluids and solids, at purifying them, asking whatever belonged there to stay, and whatever didn't to go. The skeeter eggs, the tiny animals, the floating silt, all the creatures large and small, and above all the salt of this briny tidewater-he bid them find somewhere else to go, and they went, till he could look down into the water and under the reflection of the trees spreading overhead he could see his bare feet and the muddy bottom.

  It was an interesting thing, looking into water, seeing two levels at once-the reflection on the surface and what was underneath it.

  He remembered being there in the midst of the whirlwind with Tenskwa-Tawa, and in the walls of solid water he saw not just some reflection or whatever was in the water, but also things deep in time, hidden knowledge. He was too young to make much sense of it at the time, and he wasn't sure anymore what he actually remembered or merely remembered that he remembered, if you know what I mean.

  He could hear a kind of wordless song, he sat so still. It wasn't in his own mind, either. It was another song, a familiar one, the song that he had heard so many times in his life as he ran like wind through the woods. The greensong of the life around him, of the trees and moss, the birds and gators and fish and snakes, and the tiny lives and the momentary lives, all of them making a kind of deep harmony together that became a part of him so that he could hear himself as nothing more than a small part of that song.

  And as he listened to the greensong and as he looked down into the water, another drop of blood fell from his hand and began to spread.

  Only this time he let his doodlebug spread out with his blood, following that familiar liquid, keeping it warm, letting it bind with the water as if it was all part of the same music. There were no boundaries to contain it, but he held on to the blood, kept it as a part of himself instead of something lost, as if his heart were still pushing it through his veins.

  Instead of having outside boundaries imposed on the blood, he set his own limits to its flow. This far, he told his blood, and no farther. And because it was still a part of himself, it obeyed.

  At the limits the blood began to form a wall, become solid, become like a very thin sheet of glass. Then, working inward, the blood formed itself into a latticework that drew the water around it into complicated whorls that never ceased moving, but also never left their orbit around the impossibly thin strands of blood.

  The water moved faster and faster, a thousand million tiny whirlwinds around the calm threads, and Alvin reached down with his hands on both sides of the sphere of solidified water and lifted it out of the clear water of Lake Pontchartrain.

  It was heavy-it took all his strength to lift it, and he wished he hadn't made it so large. It was far heavier than the plowshare he carried in his poke. But it was also strangely inert. Even though he knew the motion of water inside the sphere was incessant, to his hands it felt as still as stone. And as he looked into it, he saw everything at once.

  He saw his own labor to be born, straining to emerge into the world, his mother's wombwalls pressing against him as he pushed back; he heard her cries and saw her surrounded by the canvas walls of a covered wagon that rocked and slid and pitched and yawed in the current of a river gone to flood. And now he was outside that wagon and he saw a great fallen tree floating like a battering ram straight at the wagon, straight at him, this passionate angry hopeful unborn infant, and then heard a great loud cry and saw a man leap onto the tree and roll it over, over, so it struck only a glancing blow against the wagon and careened off into the rainstorm....

  And now he saw a young girl reach out to the face of a just-born infant who had not yet drawn breath because a caul of flesh covered his whole face like a terrible mask. She pulled the caul back and air rushed into the baby's mouth and he began to cry. The girl put the caul away as tenderly as if it were the heart of a Mexica sacrifice, and he felt how the baby and the caul remained connected, and he knew that this was Little Peggy, the child five years old when he was born, who was now his wife, with almost nothing of that ancient, dried-up caul left in her keeping, because she had rubbed bits of it between her fingers and turned each bit to dust in order to draw the power of Alvin's own knack out of it, to use it to save his life.

  But now, he thought. What about now?

  Whether the heavy sphere responded to his question or simply showed him the desire of his heart, he saw himself kneeling in the water at the shore of Pontchartrain, dripping blood heavily into the inland sea, and watching as a crystal path hurtled forward across the lake, six feet wide, as thin as the skiff of ice on a basin left in the window on the night of the first freeze of autumn. And in ones and twos the people began to step out onto this crystal bridge and walk along with the surface of the water holding them up, a dozen, scores, hundreds of them, a great long chain of people. But then he realized that the line was slowing down, stopping, jostling, as more and more of them looked down into the crystal at their feet and began to see the way Alvin was seeing now.

  They would not go forward, so captured were they by the crystal visions in the water. They took too long, too many minutes, as the blood continued to flow out of him.

  And then all of a sudden in the glass he saw himself faint and fall onto the bridge and at once it began to break up and crumble and all the people fell into the water and screamed and splashed and...

  Alvin dropped the crystal sphere and it fell into the water with a splash.

  He thought at first that it had dissolved instantly upon breaking the surface, but when he reached down into the water at his feet, there it was.

  He picked it back up again.

  I thought the things the crystal water showed me would be true, he thought. But that can't be true. Margaret wouldn't have sent me here to them if I didn't have the strength in me to make this bridge hold until the last soul had crossed over.

  He looked at the ball of crystal he held in his hands. I can't leave this thing here, he thought. But I can't take it with me, either. It's too heavy, not with the plow, not with all I've got to do.

  "I will carry it, me," said a soft voice behind him.

  He saw her reflection in the face of the crystal, and to his surprise the round surface did not dist
ort her image.

  He wasn't seeing her on the crystal, he was seeing her in it, and all at once he knew far more about her than he had ever thought he could know about a person. "You're not French," he said. "You and your mother are Portugee. She has a knack with sharks. They took her on voyage after voyage because of it, to keep the sea monsters at bay, only one of them used her for something else and she got pregnant with you and so she threw herself from the ship and rode the back of a shark to shore and gave birth to you at the very mouth of the river."

  "She never told me, her," said Dead Mary. "Might be so, might not."

  Alvin rose to his feet, still standing in the water, and turned to hold the sphere out to her. "It's heavy," he said.

  "I can bear any burden," she said, "if I take it freely." And it was true. Though she staggered a little from the weight, she held the ball to her and didn't let it fall.

  "Don't look in it," said Alvin.

  "It's in front of my face," she said. "How can I not look?" And yet she didn't look. She closed her eyes tightly. "Bad enough to know what I already know about people," she said. "I don't want to know all this else."

  Alvin peeled off his shirt and draped it over the sphere. "I'll take it now," he said.

  "No," said Dead Mary. "You need all the strength you have for tonight's work."

  All the children were sitting on the floor in every room on the main floor. The older ones all had a poke to carry, stuffed with every scrap of food in the house. Arthur Stuart admired how they all obeyed Mama Squirrel, without all that much fussing from her or from them.

  What he didn't know was what they were going to do about Papa Moose. He lay on the kitchen floor, wide awake now, but with his eyes tight shut, saying nothing, making no groan, showing no wince, but still a streak of tears ran from both eyes down into his hair and ears. Arthur Stuart longed to help him, knew that all the little bones were shaped wrong and didn't fit, pinching here and there, the ligaments and tendons sometimes too short, sometimes too long for the place they were supposed to be. What he didn't know was how to get them to change into something closer to what was right.

  The kitchen door opened and Alvin stepped in. Alvin wore no shirt, and Arthur Stuart noticed how much slacker he looked than he did in the days when he actually did a blacksmith's work every day. But slack as he was, compared to Arthur's own self, Alvin was still massive, breasting the air like a great ship with full-bellied sails.

  Before Arthur Stuart could wonder what he'd done with his shirt, Dead Mary came in behind him carrying something with Alvin's shirt draped over it.

  Calvin hadn't bothered them a bit after causing Papa Moose all this pain. But now that Alvin was here, he appeared on the instant, striding through the front rooms of the house, calling out to his brother. "Alvin, you come in good time! You should see the mess your stepbrother-in-law done caused here, meddling in this good man's foot."

  Arthur Stuart didn't bother to answer, knowing that Alvin knew Calvin too well to believe his account.

  Alvin walked up and stood over Papa Moose. He closed his eyes; Arthur Stuart thought for a moment he could feel Alvin's doodlebug warm his own inside the remade foot. Looking at no one, Alvin spoke softly. "On this night of all nights I need all my strength, and now you make me spend it on something that could have waited another week or another year."

  "Then wait," said Mama Squirrel hotly. "You think he ain't man enough to bear it? Oh, he can. I'll carry him if I have to, me and some of the bigger boys. My Moose, he don't want to cost us what we can't afford to pay. He'd die for these children, Alvin, you know he would."

  They all knew he would.

  "But I need him walking," said Alvin. "I need his strength. I'll spend some of mine on him, and later he can spend some of his on me."

  Arthur Stuart tried so hard to keep up with what Alvin was doing. But it was too quick. Alvin was too skilled at this. Bones that weren't shaped right suddenly were. Tendons that wrapped themselves all wrong slid like snakes into place. In no more than a minute it was done, and Papa Moose cried out.

  No, it wasn't a cry. It was a great sigh of relief, so sharp and sudden that it sounded like a shout.

  "God bless you sir," said Mama Squirrel.

  Papa Moose stood up and promptly fell back down the moment he tried to take a step.

  "I don't know how it's done," he said. "I can't walk on these two feet. My right leg feels too long."

  "Lean on me," said Mama Squirrel. He did, and managed to stand.

  "Go to Frenchman's Dock," said Alvin. "You and all the children. I'll be there afore you."

  "Me too?" asked Dead Mary.

  "Go to your mother and arrange a wheelbarrow from among the French, to tote that thing. I got another shirt."

  "Me?" asked Arthur Stuart.

  "To La Tia, and tell her to get all them as is going down to Frenchman's Dock at nightfall."

  When all were gone, it left only Alvin and Calvin there in the house of Moose and Squirrel, which was, after all, just a big old empty house when it didn't have all them children in it.

  "I suppose I've done a dozen things wrong," said Calvin with a crooked grin.

  "I need a fog from you," said Alvin. "To cover the whole city. Except right at Frenchman's Dock."

  "I don't know where that is," said Calvin.

  "Don't matter," said Alvin. "You make the fog everywhere else, and I'll push it away from where I don't want it to go. Just don't push back at me."

  He didn't say: For once.

  "I can do that," said Calvin.

  "I'm glad Margaret sent you," said Alvin. "And I'm glad you came."

  Arthur Stuart stood outside the kitchen door until he heard those words. He could hardly believe that Alvin acted like Calvin hadn't meddled and fussed and picked quarrels, not to mention the mess he made with Papa Moose.

  There was only one meaning Arthur Stuart could get from it. Alvin didn't believe Calvin had caused the problem with Papa Moose. And that meant Alvin believed Calvin's lie and thought Arthur Stuart had caused the problem with Papa Moose's foot.

  Burning with resentment at Calvin, at the way a real brother could instantly supplant a half-black oughta-be-a-slave step-brother-in-law in Alvin's heart, Arthur Stuart took off at a run to find La Tia and get the show on the road.

  6

  Exodus

  Calvin stood on the levee that kept the Mizzippy from pouring over its banks to flood the city of Nueva Barcelona. A couple of hundred masts stuck up from the water like a curiously bare forest, as the seagoing vessels were towed up and down the river by steam-powered tugboats. Dozens of columns of smoke and steam joined to cast a pall over the city as the sun sank toward the horizon.

  It had been a sultry, hazy day. Already everything got blurry only a mile off. The air was so wet that sweat could hardly evaporate. It ran down Calvin's neck and back and legs, and when he mopped his brow with a handkerchief, it came away dripping wet.

  Nobody'd mind if he cooled things off a little.

  Around him the air suddenly gave up some of its heat, sending it upward. The moment the air cooled just a couple of degrees, the water vapor began to condense a little, just enough to form a cloud, not enough to make rain or dew. It wasn't easy to maintain the temperature at just that point, and Calvin had to jostle the temperature up and down a little till he got it right.

  But once the fog was nicely formed, he began to reach out farther and farther, cooling the air, condensing the invisible humidity into visible fog.

  He turned a slow circle, watching as his fog spread out over the city. This was power-to change the look of the world, to blind the eyes of men and women, to block the light and heat of the sun, to allow slaves and oppressed people to sneak to freedom. Poor Alvin, always fencing his power about with rules-he never felt the sheer joy of it like Calvin did.

  It was like being rich, but spending money like a poor man. That was Alvin, wasn't it? A miser, hoarding his enormous power, using it only when he was forced to, a
nd for trivial purposes, and according to rules that were devised to allow weaker men to control strong ones. I have no use for such rules, thought Calvin. I don't choose to wear chains, still less to forge my own.

  So I'll help you, Alvin, because I can and because I love you and because I don't mind being part of your noble causes when it suits me. But I make up my own mind on all things. Collect your disciples and try to teach them some clumsy imitation of makery, like that sad boy Arthur Stuart, whose true knack you stole from him. But don't ever count me as one of your disciples. I spent too many years of my life worshiping you and tagging along behind you and begging for your attention and your love and your respect. Those were my childhood days. I'm a man now, and I've held my own with a great emperor and I've slain an evil man that you hadn't the courage to kill, Alvin.

  It's not enough to have power, Alvin. You have to have the will to use it.

  Street after street, the fog crept through the city, dimming the light of the setting sun and hiding passersby.

  Slaves felt the cool clammy fog pass around them, or looked out windows and watched as buildings across the street disappeared, and they thought, Today we cross over Jordan to the promised land.

  In Frenchtown the children and grandchildren of the founders of this place, whose city had been stolen from them, looked out of their shanties and thought, You can't keep us here no more, Conquistadores. You can take our city, but that's only land. You can't hold onto us when we've a mind to go.

  In Swamptown, the poorest of the poor-free blacks and down-and-out whites-saw the fog and gathered up their few possessions for the journey ahead. La Tia, Dead Mary, some sorcerer from up north, they didn't care whom they were following. It couldn't help but be better than here.

  But in the rest of the city, in fine houses and the humbler homes of the working class, in hotels and whorehouses and along the dock, where people already cowered in fear of the yellow fever, afraid to go out into the streets-they saw the fog roll through and it looked like a biblical plague to them. I'm not going out in that weather, they thought. I'll send a slave out on my errands. I'll leave the streets to the poor and those whose business is so pressing they'd risk death to carry on with it.